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On his return to Nuremberg in 1495, Dürer opened his own workshop ( being married was a requirement for this ).
Over the next five years his style increasingly integrated Italian influences into underlying Northern forms.
Dürer's father died in 1502, and his mother died in 1513.
His best works in the first years of the workshop were his woodcut prints, mostly religious, but including secular scenes such as The Men's Bath House ( ca.
1496 ).
These were larger than the great majority of German woodcuts hitherto, and far more complex and balanced in composition.

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