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In 1635 – 38, Pietro Boncompagni commissioned from Algardi a colossal statue of Philip Neri with kneeling angels for Santa Maria in Vallicella, completed in 1640.
Immediately after this, Algardi produced an interactive sculptural group representing the beheading of Saint Paul with two figures: a kneeling, resigned saint and the executioner poised to strike the sword-blow, for the church of San Paolo, Bologna.
These works established his reputation.
Like Bernini's characteristic works, they often express the Baroque aesthetic of depicting dramatic attitudes and emotional expressions, yet Algardi's sculpture has a restraining sobriety in contrast to those of his rival.

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