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A work on a yet larger scale, and long reputed to be lost, is Striggio's mass composed in 40 parts, and which included a 60-voice setting of the final Agnus Dei.
The work was recently unearthed by Berkeley musicologist Davitt Moroney and identified as a parody mass, Missa sopra Ecco sì beato giorno, and received its first modern performance at the Royal Albert Hall during the London Proms on 17 July 2007 by the BBC Singers and The Tallis Scholars conducted by Moroney.
This work was most likely composed in 1565 / 6, and carried by Striggio on a journey across Europe in late winter and spring 1567, for performances at Mantua, Munich and Paris.
The first commercial recording of the Mass, by the British group I Fagiolini, was released in March 2011, and won a Gramophone Award, and a Diapason D ' Or de L ' Année A second recording followed in 2012 directed by Hervé Niquet and prepared by Dominique Visse.

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