Help


from Wikipedia
« »  
Although he himself was a blues purist, Korner criticised better-known British blues musicians during the blues boom of the late 1960s for their blind adherence to Chicago blues, as if the music came in no other form.
He liked to surround himself with jazz musicians and often performed with a horn section drawn from a pool that included, among others, saxophone players Art Themen, Mel Collins, Dick Heckstall-Smith, Lol Coxhill, Dick Morrissey, John Surman and trombonist Mike Zwerin.

2.104 seconds.