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In the next century which is the beginning of the Classical period, it was considered that beauty in visible things as in everything else, consisted of symmetry and proportions.
The artists tried also to represent motion in a specific moment ( Myron ), which may be considered as the reappearance of the dormant Minoan element.
Anatomy and geometry are fused in one, and each does something to the other.
The Greek sculptors tried to clarify it by looking for mathematical proportions, just as they sought some reality behind appearances.
Polykleitos in his Canon wrote that beauty consists in the proportion not of the elements ( materials ), but of the parts, that is the interrelation of parts with one another and with the whole.
It seems that he was influenced by the theories of Pythagoras.

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