Page "Art Tatum" Paragraph 26

Tatum did not readily adapt or defer to other musicians in ensemble settings.

Early in his career he was required to restrain himself when he worked as accompanist for vocalist Adelaide Hall in 1932-33.

Perhaps because Tatum believed there was a limited audience for solo piano, he formed a trio in 1943 with guitarist Tiny Grimes and bassist Slam Stewart, whose perfect pitch enabled him to follow Tatum's excursions.

He later recorded with other musicians, including a notable session with the 1944 Esquire Jazz All-Stars, which included Louis Armstrong, Billie Holiday and other jazz greats, at the Metropolitan Opera House in New York City.

He also recorded memorable group sessions for Norman Granz in the mid-1950s.