Page "Avant-garde" Paragraph 15
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Nevertheless the most incisive critique of the vanguardism against the views of mainstream society was offered by the New York critic Harold Rosenberg in the late 1960s.
Trying to strike a balance between the insights of Renato Poggioli and the claims of Clement Greenberg, Rosenberg suggested that from the mid-1960s onward progressive culture ceased to fulfill its former adversarial role.
Since then it has been flanked by what he called " avant-garde ghosts " to the one side, and a changing mass culture on the other, both of which it interacts with to varying degrees.
This has seen culture become, in his words, " a profession one of whose aspects is the pretense of overthrowing it.
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