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However, scholars such as D. K.
Crowne have proposed the idea that the poem was passed down from reciter to reciter under the theory of oral-formulaic composition, which hypothesises that epic poems were ( at least to some extent ) improvised by whoever was reciting them.
In his landmark work, The Singer of Tales, Albert Lord refers to the work of Francis P. Magoun and others, saying “ the documentation is complete, thorough, and accurate.
This exhaustive analysis is in itself sufficient to prove that Beowulf was composed orally .”

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