Page "Bix Beiderbecke" Paragraph 50
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In New Orleans, jazz had been ensemble playing, with the various instruments weaving their parts into a single and coherent aural tapestry.
There had been soloists, to be sure, with the clarinetist Sidney Bechet the best known among them, but these players " lacked the technical resources and, even more, the creative depth to make the solo the compelling centerpiece of jazz music.
According to the critic Terry Teachout, they are " the two most influential figures in the early history of jazz " and " the twin lines of descent from which most of today's jazz can be traced.
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