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Macklin revolutionized acting in the 18th century by introducing a natural style of acting, being the 1st actor of his generation to break away from the old declamatory style that had been the norm for centuries.
According to Edwin Wilson and Alvin Goldfarb in Living Theatre, “ the predominant approach to acting in the 18th century is usually described as bombastic or declamatory, terms that suggest its emphasis on oratorical skills ”.
Due to this emphasis on speaking, rehearsal time was short, stage movement was standardized, and actors often spoke directly to the audience rather than characters onstage.
Wilson and Goldfarb go on to say that there were a few innovators who were “ opposed to the emphasis on declamation, stereotypical positions of performers onstage, and singsong delivery of verse ; they wanted to create individual characters, and they wanted to have more careful rehearsal procedures ”.
As a performer, Macklin was confined to the mainstream practices of 18th century theatre companies, but through training young actors, he was able to put his ideas into practice.

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