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Burlington's use of Roman sources can be viewed in the steep-pitched dome of the villa which is derived from the Pantheon in Rome.
However, the source for the octagonal form of the dome, the Upper Tribunal, Lower Tribunal and cellar at Chiswick all possibly derive from Vincenzo Scamozzi's Rocca Pisana near Vicenza.
Burlington may also have been influenced in his choice of octagon from the drawings of the Renaissance architect Sebastiano Serlio ( 1475 – 1554 ), or from Roman buildings of antiquity ( for example, Lord Burlington owned Andrea Palladio's drawings of the octagonal mausoleum at Diocletian's Palace at Split in modern Croatia ).
Archaeological remains have shown the Roman willingness to experiment with different geometric forms in their buildings, such as the underground octagonal hall in Nero's Domus Aurea.

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