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During his early journalism career, Marker became increasingly interested in filmmaking and experimented with photography in the early 1950s.
Around this time Marker met and befriended many members of what would be called the Left Bank Film Movement, including Alain Resnais, Agnès Varda, Henri Colpi, Armand Gatti and the novelists Marguerite Duras and Jean Cayrol.
This group is often associated with the French New Wave directors who came to prominence during the same time period, and indeed both groups were often friends and journalistic co-workers.
The term Left Bank was first coined by film critic Richard Roud, who has described them as having " fondness for a kind of Bohemian life and an impatience with the conformity of the Right Bank, a high degree of involvement in literature and the plastic arts, and a consequent interest in experimental filmmaking ", as well as an identification with the political left.
Many of Marker's earliest films were produced by Anatole Dauman.

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