Page "Cinema of the United Kingdom" Paragraph 55

Conversely, BBC critic Mark Kermode believes that " the movie industries of Britain and America are inextricably intertwined ", citing numerous examples of how Hollywood provides work to British production staff and studios, whilst Britain enables Hollywood to base their prestigious productions at UK studios.

He refers to British director Christopher Nolan ’ s The Dark Knight and Inception as British rather than as American films, and yet " when a movie which looks quintessentially ‘ British ’, such as The King's Speech, achieves equivalent success, everyone suddenly starts writing articles about the state of our national cinema as if it somehow exists in isolation.

" He agrees, nevertheless, that ‘ the real problem ’ is distribution rather than funding: " only a scant few secure the width of distribution that allows an extensive audience.