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These early textual studies convinced him of the absolute necessity of new and more exact collations of manuscripts.
From October 1840 until January 1843 he was in Paris, busy with the treasures of the Bibliothèque Nationale, eking out his scanty means by making collations for other scholars, and producing for the publisher, Firmin Didot, several editions of the Greek New Testament — one of them exhibiting the form of the text corresponding most closely to the Vulgate.
His second edition retracted the more precarious readings of the first, and included a statement of critical principles that is a landmark for evolving critical studies of Biblical texts.

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