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In his 1987 book All That is Solid Melts into Air: The Experience of Modernity, particularly in the chapter entitled " Innovative Self-Destruction " ( pp. 98 – 104 ), Marshall Berman provides a reading of Marxist " creative destruction " to explain key processes at work within modernity.
Berman elaborates this into something of a Zeitgeist which has profound social and cultural consequences:
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