Page "Cristina Deutekom" Paragraph 5

Meanwhile she had been extending her repertoire.

Besides the Queen of the Night, her Mozart roles included Donna Anna in Don Giovanni, Fiordiligi in Così fan tutte and Vitellia in La clemenza di Tito.

She also scored triumphant successes in Italy in the great bel canto roles of that era's composers, including Rossini, specifically Armida ; in Bellini's Norma and I puritani ; and in Donizetti's Lucia di Lammermoor.