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Sharing some elements with Stalinist grandiosity, GDR architecture blends into the regionally different styles of post-war city-building of the world: Panelák suburbs were more a rule than an exception and there was a heavy reliance on the aesthetics of the atomic age, featuring a tendency against edges and corners as a semi-conscious attempt to do away with rectangular shapes from Nazism, without much devaluating its likenesses in Stalinist architecture.

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