Page "Dada" Paragraph 44

Dada was not confined to the visual and literary arts ; its influence reached into sound and music.

Kurt Schwitters developed what he called sound poems, while Francis Picabia and Georges Ribemont-Dessaignes composed Dada music performed at the Festival Dada in Paris on 26 May 1920.

Other composers such as Erwin Schulhoff, Hans Heusser and Albert Savinio all wrote Dada music, while members of Les Six collaborated with members of the Dada movement and had their works performed at Dada gatherings.

Erik Satie also dabbled with Dadaist ideas during his career, although he is primarily associated with musical Impressionism.