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The use of darkness as a rhetorical device has a long standing tradition.
Shakespeare, working in the 16th and 17th centuries, made a character called the “ prince of darkness ” ( King Lear: III, iv ) and gave darkness jaws with which to devour love.
( A Midsummer Night ’ s Dream: I, i ) Chaucer, a 14th century Middle English writer, wrote that knights must cast away the “ workes of darkness .” Dante described hell as “ solid darkness stain ’ d .”

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