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In the 1950s, American radio DJs would appear live at " sock hops " and " platter parties " and assume the role of a human jukebox.
They would usually play 45-rpm records, featuring hit singles on one turntable while talking between songs.
In some cases, a live drummer was hired to play beats between songs to maintain the dance floor.
In 1955, Bob Casey, a well-known " sock hop " DJ, brought the two-turntable system to the U. S. Throughout the 1950s, payola continued to be a problem and one result of the payola scandal was tighter control of the music by station management.
The Top 40 format emerged, where popular songs are played repeatedly.

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