Page "Edward Hopper" Paragraph 9
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After returning from his last European trip, Hopper rented a studio in New York City, where he struggled to define his own style.
Being a free-lancer, Hopper was forced to solicit for projects, and had to knock on the doors of magazine and agency offices to find business.
It comes slowly .” His fellow illustrator Walter Tittle described Hopper ’ s depressed emotional state in sharper terms, seeing his friend “ suffering … from long periods of unconquerable inertia, sitting for days at a time before his easel in helpless unhappiness, unable to raise a hand to break the spell .” In 1912, Hopper traveled to Gloucester, Massachusetts, to seek some inspiration and did his first outdoor paintings in America.
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