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Euripides's use of lyrics in the sung portion of his work shows the influence of Timotheus of Miletus in the later plays the individual singer gained prominence and was given additional scope to demonstrate his virtuosity in lyrical duets between actors, as well as replacing some of the chorus's functions with monodies.
At the same time, choral odes begin to take on something of the form of dithyrambs reminiscent of the poetry of Bacchylides, featuring elaborate treatment of myths.
Sometimes these later choral odes seem to have only a tenuous connection with the plot, linked to the action only in their mood.
The Bacchae however shows a reversion to old forms, possibly as a deliberate archaic effect or maybe because there were no virtuoso choristers in Macedonia, where it is said to have been written.

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