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Documentary filmmaking, and other attempts at actual documentation, can wittingly and unwittingly participate in the form as its goals of authenticity are so closely aligned with direct false documentation ( that is, in both cases, there is an element of authenticity and an element of narrative fudging ).
In Schwarzenegger's Pumping Iron, for example, Arnold talks about how his father died in the months preceding a major bodybuilding competition.
He uses this anecdote to illustrate how important the final months before a competition are to a truly dedicated bodybuilder.
He says that, though his father's funeral was set during the penultimate month, he did not attend because he could not be distracted from training.
However, in the companion book, it is revealed that at the time of printing, Arnold's father had not died.
It does not say the story was a lie, it merely provides contrary evidence.
Schwarzenegger was executive producer of both the film and the companion book.
It has been theorized by Professor Sally Robinson that Schwarzenegger was intentionally undermining his own narrative, effectively creating a mildly self-deprecating re-examination of his own obsessions for perfection at any cost.
In the end, whether Arnold intentionally fabricated the story, for a desired effect, is left to the audience ( in interviews associated with the re-release of the film, he says he did ).

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