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* In many styles, such as soléa or siguiriya, the melody tends to proceed in contiguous degrees of the scale.
Skips of a third or a fourth are rarer.
However, in fandangos and fandango-derived styles, fourths and sixths can often be found, especially at the beginning of each line of verse.
According to Rossy, this is proof of the more recent creation of this type of songs, influenced by Castilian jota.

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