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Schütte-Lihotzky's design was strongly influenced by the ideas of Taylorism, which was en vogue at the beginning of the 20th century.
Started by Catharine Beecher in the middle of the 19th century and reinforced by Christine Frederick's publications in the 1910s, the growing trend that called for viewing household work as a true profession had the logical consequence that the industrial optimisation pioneered by Taylorism spilled over into the domestic area.
Frederick's The New Housekeeping, which argued for rationalising the work in the kitchen using a Taylorist approach, had been translated into German under the title Die rationelle Haushaltsführung in 1922.
These ideas were received well in Germany and Austria and formed the base of German architect Erna Meyer's work and were also instrumental in Schütte-Lihotzky's design of the Frankfurt kitchen.
She did detailed time-motion studies to determine how long each processing step in the kitchen took, re-designed and optimised workflows, and planned her kitchen design such that it should optimally support these workflows.
Improving the ergonomics of the kitchen and rationalising the kitchen work was important to her:

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