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In the late 1950s and early 1960s, the free jazz movement coalesced around such important ( and disparate ) figures as Cecil Taylor, Sun Ra, Ornette Coleman, and John Coltrane, as well as many lesser-known figures such as Joe Maneri and Joe Harriott.
Free jazz allowed for radical improvised departures from the harmonic and rhythmic material of the composition – for instance, by permitting performers to ignore conventional repeating song-structures.
Such music often seemed far removed from the preceding jazz tradition, even though it almost always preserved one or more central elements of that tradition while abandoning others.

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