Page "G. N. Balasubramaniam" Paragraph 7
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He was also the first major Carnatic musician to moot the idea of Indian music as a single entity rather than separating it into Hindustani & Carnatic systems.
He was very attentive in understanding why HIndustani music concerts is so well loved by south Indians.
By emphasizing on the richness of the composition together with expansive improvisation passages, he forever changed the way, Carnatic music was sung.
His grasp of tala was unprecedented for he understood the magic of singing in the 2nd & 3rd kala which had a mesmerizing effect on the audience that he performed.
Sometimes, reaching the 4th kala in brisk succession would also arouse the ecstasy of his audience.
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