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These glowing portraits of Gawain all but ended with Sir Thomas Malory's Le Morte d ' Arthur, which is based mainly, but not exclusively, on French works from the Vulgate and Post-Vulgate Cycles.
Here Gawain partly retains the negative characteristics attributed to him by the later French, and partly retains his earlier positive representations, creating a character seen by some as inconsistent, and by others as a believably flawed hero.
Gawain is cited in Robert Laneham's letter describing the entertainments at Kenilworth in 1575, and the recopying of earlier works such as The Greene Knight suggests that a popular tradition of Gawain continued.
The Child Ballads include a preserved legend in the positive light, The Marriage of Sir Gawain a fragmentary version of the story of The Wedding of Sir Gawain and Dame Ragnelle.
He also appears in the rescue of Guinevere and plays a significant role though Lancelot overshadows him.
In Sir Thomas Malory's Le Morte d ' Arthur, Guinevere is found guilty, however, Lancelot returns to help Guinevere to escape from the castle.
Although, Mordred has sent to word to King Arthur, Arthur sends a few knights to capture Lancelot, and Gawain, being a loyal friend to Lancelot, refuses to take part of the mission.
The battle between Lancelot and Arthur's knights results in Gawain's two sons and his brothers, except for Mordred, were slain.
This begins the estrangement between Lancelot and Gawain, thus drawing Arthur into a war with Lancelot in France.
While King Arthur was deployed to France, Mordred takes control of the throne, and takes advantage of the kingdom.
Gawain wages two wars between Mordred and Lancelot.
He was mortally wounded in a duel against Lancelot who, later laid for two nights weeping at Gawain's tomb.
Gawain repented of his bitterness towards Lancelot and forgave him, while asking join forces with Arthur and save Camelot .< ref >

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