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Shot in four days, the film was loosely inspired by the sex reassignment surgery of Christine Jorgensen, which made national headlines in the U. S. in 1952.

George Weiss, a Hollywood producer of low-budget films, commissioned a movie to exploit it.

Originally Weiss made Jorgensen several offers to appear in the film, but these were turned down.

Wood convinced Weiss that his own transvestism made him the perfect director despite his modest resume.

Wood was given the job, but instead made a movie about transvestism.