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Writing in 1932, Sir Edward Maufe said: ‘ The ideal has been to produce a design, definitely of our own time, yet in the line of the great English Cathedrals ; to build anew on tradition, to rely on proportion, mass, volume and line rather than on elaboration and ornament.
' Pevsner described the building as ' sweet-tempered, undramatic Curvilinear Gothic ', and that the interior was ' noble and subtle.

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