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By the end of this period his personal life was again in crisis.
His marriage with Germaine was breaking apart after twenty-five years ; he had fallen in love with Fanny Vlamynck, a young artist who had recently joined the Hergé Studios.
Furthermore, he was plagued by recurring nightmares filled with whiteness.
He consulted a Swiss psychoanalyst, who advised him to give up working on Tintin.
Instead, he finished Tintin in Tibet, started the year before.

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