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The song received positive reviews from music critics.

Allmusic senior editor Stephen Thomas Erlewine noticed that the song is " a tongue-in-cheek, neo-house cover " and picked it as one of the best tracks on the album, alongside the title track and " Have You Ever Been in Love ".

Rebecca Wallwork wrote a positive review for Amazon, calling it " the car-commercial-driven tempo ", while Jam!

's Darryl Sterdan named it " a Cher-style Eurodisco.

" Slant Magazine's Sal Cinquemani echoed the same thought, saying that " she gets the Cher treatment on the blazing cover.

" People's Chuck Arnold wrote that in the song, Celine " shows surprising restraint for a diva who just had a coliseum custom-built for her.