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Critic William Ruhlman agreed though did not consider the album as strong.
" Longtime fans welcomed the album as a return in style ... Browne eschewed the greater philosophical implications of romance and, falling back on stock imagery ( angels, rain ), failed to achieve an originality of expression.
While it was good news that he wasn't tilting at windmills anymore, Browne did not make a full comeback with the album, despite a couple of well-constructed songs.
" The Rolling Stone Record Guide wrote Browne " returned to his forte: the personal joy and agony of day-to-day human interaction.

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