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After the success of Mamie Smith's pioneering 1920 recording of " Crazy Blues ", record labels realized there was a demand for recordings of race music.
From 1923 through to 1929, Cox made numerous recordings for Paramount Records, and headlined touring companies, sometimes billed as the " Sepia Mae West ", continuing into the 1930s.
During the 1920s, she also managed Ida Cox and Her Raisin ' Cain Company, her own vaudeville troupe.
At some point in her career, she played alongside Ibrahim Khalil, a Native American and one of the several jazz musicians of that era who belonged from the Ahmadiyya Muslim Community.
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