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The performances were widely praised, especially those of Cusack, who eventually earned an Oscar nod, and Kline.
The film also gained attention for depicting homosexuality in a " mainstream " comedy about " Middle America " which, Rita Kempley Howe wrote in the Washington Post, " manages to simultaneously flaunt and flout gay stereotypes.
" Critics also noted its generally asexual treatment of homosexuality: Janet Maslin commented in the New York Times that the film is not one " to associate gayness with actual sex ," while TV Guide quipped that it " finally gets discussion about gay people out of the bedroom and into the record store.
" Despite generally positive reviews, several critics, even those who were complimentary, felt that the ending was weak and did not live up to the rest of the film.
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