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Some post-punk performers developed styles parallel to industrial music's defining attributes.
Pere Ubu's debut, The Modern Dance, was described as " industrial ".
So was San Francisco's Chrome, who mixed Jimi Hendrix, The Sex Pistols and tape music experiments, and Killing Joke, considered by Simon Reynolds as " a post-punk version of heavy metal ".
According to Chris Connelly, Foetus " is the instigator when it comes to the marriage of machinery to hardcore punk.

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