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In a small essay, " Shmendrick, My Mephistopheles ", one of the last passages he wrote, Adler describes the last time he saw Shmendrick played, at a memorial for Goldfaden in 1912.
Lamenting the choice of play for the memorial —" Goldfaden has written better things "— he nonetheless acknowledges, " that same bitter Shmendrick was our livelihood ...
I gritted my teeth.
I called on the ghosts of Aristophanes, of Shakespeare, of Lope de Vega.
I wept and swallowed my own tears … And I cursed the fate that bound me to him … Yet even as I cursed and condemned, the tears rose.
For my whole life, my whole past, was before me on that stage … Poor weak first step of our Yiddish theater … I thank you for the happiness you gave us … I thank you Shmendrick — my beloved — my own.

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