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According to rock critic Dave Marsh, the attitude and public persona of punk rock can be traced to Jan and Dean.
Certainly their early hits, recorded with myriad overdubs in a garage, and their casual and goofy stage antics were consistent with some of punk rock's ethos.
But their constant improvement and the increased complexity of their arrangements in the latter recordings showed their fealty to Brian Wilson's baroque approach.
Many of their records feature the top session players of the era, and their arrangements, with multiple key changes and complex vocal harmonies, reflected a high level of craftsmanship.

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