Page "Jerusalem Delivered" Paragraph 15

The fame of Tasso's poem quickly spread throughout the European continent.

In England, Sidney, Daniel and Drayton seem to have admired it, and, most importantly, Edmund Spenser described Tasso as an " excellente poete " and made use of elements from Gerusalemme liberata in The Faerie Queene.

The description of Redcrosse's vision of the Heavenly Jerusalem in the First Book owes something to Rinaldo's morning vision in Canto 18 of " Gerusalemme ".

In the twelfth canto of Book Two, Spenser's enchantress Acrasia is partly modelled on Tasso's Armida and the English poet directly imitated two stanzas from the Italian The portrayal of Satan and the demons in the first two books of Milton's Paradise Lost is also indebted to Tasso's poem.