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The New York Times was scathing of the film observing " Probably no other woman has so triumphantly survived as many rotten movies in such a short space of time as Sophia Loren ".
Although " the farcical premise is promising " it was " a comedy that manages to be both too serious and not serious enough and that, at no point matches the level of the humor and intelligence of its principal performance ".
It also questioned " the grindingly bleak New York settings in which so much of the film is set.
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