Page "Laurie Spiegel" Paragraph 3

Best known for her use of interactive and algorithmic logic as part of the compositional process, Spiegel worked with Buchla and Electronic Music Laboratories synthesizers and subsequently many early, often experimental and prototype-level music and image generation systems, including GROOVE system ( 1973-78 ), Alles Machine ( 1977 ) and Max Mathews's RTSked and John R. Pierce tunings ( 1984, later known as the Bohlen-Pierce scale ) at Bell Labs, the alphaSyntauri for Apple II ( 1978-81 ), the McLeyvier ( 1981-85 ).