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He began his independent professional career designing upper-class homes, joining the movement seeking a return to the purity of early nineteenth century Germanic domestic styles.
He admired the broad proportions, regularity of rhythmic elements, attention to the relationship of the man-made to nature, and compositions using simple cubic forms of the early nineteenth century Prussian Neo-Classical architect Karl Friedrich Schinkel.
He rejected the eclectic and cluttered classical styles so common at the turn of the twentieth century as irrelevant to the modern times.

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