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Alexander Walker of the London Evening Standard wrote, " So precisely nuanced is the speech, so subtle the behaviour of a group of friends, lovers, mistresses and cuckolds who keep splitting up and pairing off like unstable molecules ".
Time film critic Frank Rich wrote at the time that Allen's film is " tightly constructed, clearly focused intellectually, it is a prismatic portrait of a time and place that may be studied decades hence to see what kind of people we were ".
Recently, J. Hoberman wrote in The Village Voice, " The New York City that Woody so tediously defended in Annie Hall was in crisis.
And so he imagined an improved version.
More than that, he cast this shining city in the form of those movies that he might have seen as a child in Coney Island — freeing the visions that he sensed to be locked up in the silver screen ".

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