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Giorgio Vasari's opinions about the art of painting come through in his praise of fellow artists in the great book that lay behind this frontispiece: he believed that excellence in painting demanded refinement, richness of invention ( invenzione ), expressed through virtuoso technique ( maniera ), and wit and study that appeared in the finished work, all criteria that emphasized the artist's intellect and the patron's sensibility.
The artist was now no longer just a craftsman member of a local Guild of St Luke.
Now he took his place at court with scholars, poets, and humanists, in a climate that fostered an appreciation for elegance and complexity.
The coat-of-arms of Vasari's Medici patrons appear at the top of his portrait, quite as if they were the artist's own.

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