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In 1982, Dietrich agreed to participate in a documentary film about her life, Marlene ( 1984 ), but refused to be filmed.
The film's director, Maximilian Schell, was allowed only to record her voice.
He used his interviews with her as the basis for the film, set to a collage of film clips from her career.
The final film won several European film prizes and received an Academy Award nomination for Best Documentary in 1984.
Newsweek named it " a unique film, perhaps the most fascinating and affecting documentary ever made about a great movie star ".

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