Page "Maurice Ravel" Paragraph 74
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This demonstrates the great regard he had for the piano traditions of Couperin, Scarlatti, Mozart, Chopin and Liszt.
For example, Gaspard de la nuit can be viewed as an extension of Liszt ’ s virtuosity and advanced harmonics.
Walter Gieseking found some of Ravel ’ s piano works to be among the most difficult pieces for the instrument but always based on “ musically perfectly logical concepts ”; not just technically demanding but also requiring the right expression.
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