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In the 1920s, artists such as F. L. Griggs had begun to re-evaluate and re-discover the works of their Romantic forebears ; from the visionary work of Samuel Palmer and William Blake via high Romanticism, to the neo-romanticism that flowered between 1880 and 1910.
This led to a further re-flowering-in the Depression and war years between 1930 and 1955-and this can be seen in the work of: artists such as John Piper ; John Tunnard, David Jones ; Graham Sutherland ; John Craxton ; John Minton ; Stanley Spencer ; Eric Ravilious ; Robin Tanner ; Bettina Shaw-Lawrence ; writers such as John Cowper Powys ; J. R. R. Tolkien ; Mervyn Peake ; C. S. Lewis ; Arthur Machen ; T. H. White ; Dylan Thomas ; Geoffrey Grigson ; and Herbert Read ; film-makers such as Humphrey Jennings ; Powell and Pressburger ( e. g.: A Canterbury Tale, 1944 and Gone to Earth, 1950 ); and photographers such as Edwin Smith ; Roger Mayne ; and John Deakin.
Many working in this vein benefited from efforts to record the English home front during World War II, proving able to provide a timely and useful romantic vision of the national heritage at a time of war.

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