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There has also been a general feeling of a shift in the creative attribution of Peking-opera works.
The performer has traditionally played a large role in the scripting and staging of Peking-opera works.
However, perhaps following the lead of the West, Peking opera in recent decades has shifted to a more director and playwright centered model.
Performers have striven to introduce innovation in their work while heeding the call for reform from this new upper level of Peking-opera producers.

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