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The AT & T Building in Manhattan, now the Sony Building, was completed in 1984 and was immediately controversial for its neo-Georgian pediment ( Chippendale top ).
At the time, it was seen as provocation on a grand scale: crowning a Manhattan skyscraper with a shape echoing a historical wardrobe top defied every precept of the modernist aesthetic: historical pattern had been effectively outlawed among architects for years.
In retrospect other critics have seen the AT & T Building as the first Postmodernist statement, necessary in the context of modernism's aesthetic cul-de-sac.
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