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Among very few representations of Protesilaus, a sculpture by Deinomenes is just a passing mention in Pliny's Natural History ; the outstanding surviving examples are two Roman copies of a lost mid-fifth century Greek bronze original represent Protesilaus at his defining moment, one of them in a torso the British Museum, the other at the Metropolitan Museum of Art.
The Metropolitan's sculpture of a heroically nude helmeted warrior stands on a forward-slanting base, looking down and slightly to his left, with his right arm raised, prepared to strike, would not be identifiable, save by comparison made by Gisela Richter with a torso of the same model and its associated slanting base, schematically carved as the prow of a ship encircled by waves: Protesilaus about to jump ashore.

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